The Devil Himself
May. 2nd, 2008 | 12:24 pm
Our much heralded lunchtime event with Da Mayor took place yesterday without too many hitches. In spite of some dire predictions – “He’s always late you know. Always” -- and the announcement the day before by his social secretary that he could only stay until a little after 1:00, Mayor Willie Brown stepped out of the elevator at exactly 12:00 and cheerfully settled down to signing and occasionally personalizing copies of his book, Basic Brown for attendees. He gave his talk, held a Q&A, and stayed a good half hour past the time we’d been told he absolutely positively had to leave. (The warning about him being always late impacted not us but his next appointment.)
Willie Brown is a true San Francisco character who will probably be remembered in the same way Abe Ruef, Lillie Coit, and Melvin Belli are remembered. I see him occasionally in our neighborhood, usually walking up Leavenworth. There seems to be a legal requirement that the word “dapper” appear in any description of Willie Brown, but it’s not an unreasonable one. Yes, by God, the man is dapper as all Hell. His taste in ties and suits is impeccable, his hat is always set at a perfect angle, and his handkerchief always peeks out in four precise little points from his breast pocket. Listening to him speak is like watching a magician. Brown is adept at a sort of verbal sleight of hand in which you become so engaged by his wit that you only notice after he’s finished that he just spent thirty minutes talking about himself to an extent that would be dull and irritating if he were anybody else. I do believe he could make an hour-long lecture on tax law entertaining by including at least five anecdotes about Willie Brown. And it might very well be a damned good lecture on tax law.
Well why shouldn’t he be delighted with himself? He was born poor and black in Mineola Texas. He’s now rich and powerful in San Francisco California. How he managed this, whether by hook or by crook, is worth knowing. He is smart, pragmatic and absolutely ruthless. He has the faux naïve charm of a bon vivant who considers the fact that he enjoys good things wonderful news that should be shared with everyone. The day before the event one our members dropped by the office to make his reservation and told us an anecdote about encountering Brown at Wilkes-Bashford, passing him in the store. The weave of Brown’s suit was so beautiful. so soft, that he tentatively reached out to touch it, and Da Mayor stopped, grinned, and obligingly held out his arm.
His ghost-writer, P.J. Corkery did a wonderful job. Basic Brown is no ordinary boring political memoir. It begins with a description of Brown’s dirt-poor childhood in Texas, then leaps to an almost gleeful account of Brown’s deft and merciless payback to the “gang of five” who tried to oust him as Speaker back in 1988.
I have some serious problems with Willie Brown as a politician. During his tenure as mayor, many working class San Franciscans, many artists and filmmakers were driven out of the city because of his emphasis on development. The only citizens he seemed willing to acknowledge as worthwhile San Franciscans were either the people he encountered at the Big Four or other uber-wealthy hangouts or the affluent-on-paper young dot-commers who helped drive rents into the sky (many of whom by now have probably moved out of the lofts they infested in SOMA and back into their parents basements.) He’s even quoted as saying at one point, “poor people shouldn’t live in San Francisco.”
He never keeps records he declared, smiling, during his talk. “When I was an attorney, I learned that’s how people got in trouble. So no records. No emails, no letters, nothing.”
There’s a scene in the horror film, The Ninth Gate, where a wicked old woman says that, as a young girl, she once glimpsed Satan himself. “I saw him one day. I was fifteen years old, and I saw him as plain as I see you now: cutaway, top hat, cane. Very elegant, very handsome. It was love at first sight.”
At the time, I pictured Satan as a dashing young Italian count. Now I’ll always imagine the Devil she saw as a rather stocky late-middle aged black man with a moustache, a tilted hat and a perfectly tailored suit.
Willie Brown is a true San Francisco character who will probably be remembered in the same way Abe Ruef, Lillie Coit, and Melvin Belli are remembered. I see him occasionally in our neighborhood, usually walking up Leavenworth. There seems to be a legal requirement that the word “dapper” appear in any description of Willie Brown, but it’s not an unreasonable one. Yes, by God, the man is dapper as all Hell. His taste in ties and suits is impeccable, his hat is always set at a perfect angle, and his handkerchief always peeks out in four precise little points from his breast pocket. Listening to him speak is like watching a magician. Brown is adept at a sort of verbal sleight of hand in which you become so engaged by his wit that you only notice after he’s finished that he just spent thirty minutes talking about himself to an extent that would be dull and irritating if he were anybody else. I do believe he could make an hour-long lecture on tax law entertaining by including at least five anecdotes about Willie Brown. And it might very well be a damned good lecture on tax law.
Well why shouldn’t he be delighted with himself? He was born poor and black in Mineola Texas. He’s now rich and powerful in San Francisco California. How he managed this, whether by hook or by crook, is worth knowing. He is smart, pragmatic and absolutely ruthless. He has the faux naïve charm of a bon vivant who considers the fact that he enjoys good things wonderful news that should be shared with everyone. The day before the event one our members dropped by the office to make his reservation and told us an anecdote about encountering Brown at Wilkes-Bashford, passing him in the store. The weave of Brown’s suit was so beautiful. so soft, that he tentatively reached out to touch it, and Da Mayor stopped, grinned, and obligingly held out his arm.
His ghost-writer, P.J. Corkery did a wonderful job. Basic Brown is no ordinary boring political memoir. It begins with a description of Brown’s dirt-poor childhood in Texas, then leaps to an almost gleeful account of Brown’s deft and merciless payback to the “gang of five” who tried to oust him as Speaker back in 1988.
I have some serious problems with Willie Brown as a politician. During his tenure as mayor, many working class San Franciscans, many artists and filmmakers were driven out of the city because of his emphasis on development. The only citizens he seemed willing to acknowledge as worthwhile San Franciscans were either the people he encountered at the Big Four or other uber-wealthy hangouts or the affluent-on-paper young dot-commers who helped drive rents into the sky (many of whom by now have probably moved out of the lofts they infested in SOMA and back into their parents basements.) He’s even quoted as saying at one point, “poor people shouldn’t live in San Francisco.”
He never keeps records he declared, smiling, during his talk. “When I was an attorney, I learned that’s how people got in trouble. So no records. No emails, no letters, nothing.”
There’s a scene in the horror film, The Ninth Gate, where a wicked old woman says that, as a young girl, she once glimpsed Satan himself. “I saw him one day. I was fifteen years old, and I saw him as plain as I see you now: cutaway, top hat, cane. Very elegant, very handsome. It was love at first sight.”
At the time, I pictured Satan as a dashing young Italian count. Now I’ll always imagine the Devil she saw as a rather stocky late-middle aged black man with a moustache, a tilted hat and a perfectly tailored suit.
